Vitrum Nostrum Gloriosum - The Consort Of Musicke - Musicke Of Sundrie Kindes
Label: LOiseau-Lyre - 12BB 203-6 • Series: Florilegium Series • Format: 4x, Vinyl LP, Compilation Box Set • Country: UK & Europe • Genre: Classical • Style: Renaissance
Introduction Introduction Writing in for the Glasgow Bibliographical society, David Murray, the Glasgow lawyer and bibliographer, described William Euing as follows: In the cold dark winter mornings, fully fifty years ago, in passing down West George Street about 7.
In his one hand he carried a small canvas bag containing barley, which he scattered on the street for the sparrows; in the other he had a bundle of tracts against tobacco-smoking which he distributed to the students. This was Mr William Euing, who lived at West George Street, where he had his wonderful library rich in works on music, books relating to Glasgow, early English Literature and, what he prized most, editions of the Bible.
Its treasures include two late medieval liturgical manuscripts and a number of fifteenth-century printed books, among which is the earliest specimen of block-printed music, the Musices opusculum of Nicolaus Burtius, printed in Sp Coll E. The music section of the Euing Collection is especially rich in two particular fields - theoretical and liturgical works - and while the present exhibition certainly represents these, it is perhaps more closely linked with such other musical publications as make up the two concerts of music being concurrently presented in the University.
And it is from an astonishing variety sources from the sixteenth to the eighteenth centuries that this music is drawn: beautiful early sixteenth-cenury prints of Flemish and Italian music, some of the remarkable series of publications of all kinds of English music that appeared between the s and s, early examples of engraved music of the seventeenth cenutury, a fine seventeenth-century Scottish psalter and an anthology of song, an elegant example of eighteenth-century French chamber music, and worthy publications of eighteenth century orchestral concerti by Italian and English composers - a sample of a truly remarkable collection that belies the modest title of the exhibition.
Antiphonale etc. MS, 15th century MS Euing Nuremberg: Isaac was one of the foremost Flemish composers of the time. He first held appointments in Italy, and later was court Eric Adams Scream Competition - Manowar - The Absolute Power (DVD) to Emperor Maximilian from His output was large and varied, including both sacred and secular, both vocal and instrumental music.
He exerted a strong influence on the development of German music in the sixteenth century. The three volumes provide a series of settings of the Proper of the Mass for the whole year. Secundus liber cum quinque vocibus. Lyons: From until he produced many editions, chiefly of French composers. He was also a composer in his own right, and published his own motets and chansons, which now appear to have been lost.
The edition on display here is a collection of motets by contemporary composers, not all of whom are French, including Gombert and Willaert. London: Byrd was probably his pupil and became one of the greatest English composers of all time. They shared a joint appoinment as organists of the Chapel Royal.
In they were granted a licence which gave them sole right to print music in England. In this year they published the Cantiones sacrae which contains sixteen items by Tallis and eight by Byrd.
The only other works by Tallis to be published during Vitrum Nostrum Gloriosum - The Consort Of Musicke - Musicke Of Sundrie Kindes lifetime were five anthems set to English words. London: R. Close on the publication of Psalmes, sonets and songs Munich: At the age of about twenty-two, he settled in Antwerp, and then went to Munich where he was in the service of Albert V, Duke of Bavaria.
One of the chief composers of the 16th Century, his output was prodigious and much of it was published during his lifetime. The first edition of Sacrae cantiones quinque vocum This, however, is one of many later editions. Praetorius was the greatest of the family of composers who assumed his surname.
In he also became Kapellmeister to the Duke of Brunswick. He was a prolific composer of instrumental and vocal music. The first of his works appeared in print innamely the first volume of Musae Sionaea massive undertaking in nine volumes, containing sacred vocal works in Latin and German.
The Hymnodia Sionae of are Latin motets. Besides being a composer, Praetorius was important for his great theoretical work Syntagma musicum also in the Euing Collecion which covers many aspects of music. Ein Hubsch new Gesangbuch Ulm: E.
This is probably the only copy of what is believed to be the first Protestant hymn-book, produced for the use of the Moravian brotherhood known as the Picards. Havergal, who sold it to Euing in The whole booke of psalmes, collected into English meter A second edition appeared incontaining additional translations by Hopkins. This is a later edition of the complete work, probably of The psalmes of David in prose and meter Edinburgh: F.
The General Assembly of the Church of Scotland set up a committee to produce a psalter for publication. This appeared inthough only the texts and tunes were included. It was not until that a psalter with harmonised settings was printed. This was published in Aberdeen and was notable for containing the first part-music ever printed in Scotland. The psalter was then produced in Edinburgh in and This copy is significant in that the anonymous settings of the Proper tunes are the work of Scottish composers of the later sixteenth century.
Francesco de Nobili Rome: R. Kapsberger was a A Little More Love - Olivia Newton-John - Totally Hot virtuoso on the theorbo, lute and chitarrone and also a skilled composer. Amongst his works are compositions for lute and chiarrone, as well as vocal music including these motets. This item is an early example of music engraved on copper.
He took his B. Mus degree at Cambridge inwas organist of Trinity College fromalso Master of the Children there from None of his music was published during his lifetime, and little has come down to the present day. What has survived is vocal. The present manuscript contains two madrigals, one English church anthem and two Latin motets. Porter stands midway between the madrigalists and the composers of the Restoration. He was a gentleman of the Chapel Royal, and is best known for his Madrigals and ayres of 2,3,4 and 5 voyces published in He was a pupil of Monteverdi whose influence can be seen in his work.
Paris: R. Campra held musical appointments in several French towns. In he was appointed musical director at Notre-Dame in Paris. He achieved fame with his motets, but later turned to writing operas. The present work is one of the five books of motets to be published during his lifetime, of which many reprintings were issued.
Liepzig: R. Faber, a confirmed Protesant, was one of the few publishers to survive the Reformation in Leipzig. He is significant as the printer and publisher of the Dr D.
D. Hollis - Dixie And Yankee Doodle / The Girl Slipped Down (Shellac) settings by Lucas Hordisch and Sebastian Forster of poems by Prudentianus and Virgil. This collection appeared in and exhibits block-printing from metal blocks of high quality. Senfl was born in Zurich and received his musical education from Heinrich Isaac. He edited one of the earliest music books printed in Germany, Liber Obsession (Rmx) - Various - February 2005 Part 1 cantionum This item is one of the most important of his works to have appeared in his lifetime.
Venice: R. A Flemish composer who went to Italy inhe held appointments in Rome first at the Julian and then at the Papal Chapels. He knew Michaelangelo, and set two of his poems to music. There he became a member of the royal chapel. He was one of the earliest exponents of the madrigal style in Italy. Between and he published five books of madrigals; this is a reprinting of the third.
Venice: Wert was born in the Netherlands but spent the greater part of his working life in Mantua, eventually receiving the freedom of that city in recognition of his musical services.
He was a prolific composer who achieved great fame and his compositions are to be found in nearly every collection of music published up to the middle of the 17th century. This was among the last of his many collections to be published during his lifetime. Second livre de meslanges From contemporary sources it is clear that he enjoyed a considerable reputation as a composer of both sacred and secular music.
Marenzio was in the service of various nobles and ecclesiastics What Cha Gonna Do - PMD - Bu$ine$$ I$ Bu$ine$$ (Clean Album) achieved considerable fame Vitrum Nostrum Gloriosum - The Consort Of Musicke - Musicke Of Sundrie Kindes his short lifetime. His work represents the consummation of Italian madrigal composition. This is the fifth book of his six-part madrigals, which first appeared in Over the centuries the music of Gesualdo has aroused great controversy among critics about the quality of his compositions, but he is now generally regarded as a composer of undoubted originality.
The music certainly reveals an unstable naure - as did his sensational murder of his wife and her lover. His works were reprinted several times. This Vitrum Nostrum Gloriosum - The Consort Of Musicke - Musicke Of Sundrie Kindes is a reprint of the first book of madrigals of 5 voices first published in London R.
This compilation by Yonge was the first collection of Tokyo Cut Master - Electric Technology - Rave Hop Machine madrigals to be published in England, and it contributed to the growing popularity of this type of music in England at that time. Florence: R. The composer and singer Caccini belonged to the group of musicians who speculated as to the nature of the Take A Bow - Glee Cast - Glee: The Music, Volume 1 Vitrum Nostrum Gloriosum - The Consort Of Musicke - Musicke Of Sundrie Kindes of the Greeks.
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