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On Her Majestys Secret Service - Unknown Artist - Classic Movie Themes

Label: Silva Screen - MOVM18/7/98 • Format: CD Promo • Country: UK • Genre: Stage & Screen • Style: Theme
Download On Her Majestys Secret Service - Unknown Artist - Classic Movie Themes

It is based on the novel of the same name by Ian Fleming. During the making of the film, Lazenby announced that he would play the role of Bond only once. In the film, On Her Majestys Secret Service - Unknown Artist - Classic Movie Themes faces Blofeld Telly Savalaswho is planning to hold the world ransom by the threat of sterilising the world's food supply through a group of brainwashed "angels of death".

It is the only Bond film to have been directed by Peter R. Huntwho had served as a film editor and second unit director on previous films in the series.

Hunt, along with producers Albert R. Broccoli and Harry Saltzmandecided to produce a more realistic film that would follow the novel closely. Although its cinema release was not as lucrative as its predecessor You Only Live TwiceOn Her Majesty's Secret Service was still one of the top performing films of the year.

Critical reviews upon release were mixed, but the film's reputation has improved greatly over time. The woman, Contessa Teresa "Tracy" di Vicenzoinvites Bond to her hotel room to thank him, but when Bond arrives he is attacked by an unidentified man.

After subduing the man, Bond returns to his own room and finds Tracy there, who claims she did not know the attacker was there. The next morning, Bond is kidnapped by several men, including the one he fought, who take him to meet Marc-Ange Draco, the head of the European crime syndicate Unione Corse.

Draco reveals that Tracy is his only daughter and tells Bond of her troubled past, offering Bond one million pounds if he will marry her. Bond returns to Londonand after a brief argument with M at the British Secret Service headquarters, On Her Majestys Secret Service - Unknown Artist - Classic Movie Themes Bond tries to resign, heads for Draco's birthday party in Portugal.

There, Bond and Tracy begin a whirlwind romance, and Draco directs the agent to a law firm in BernSwitzerland. Posing as Bray, Bond goes to meet Blofeld, who has established a clinical allergy-research institute atop Piz Gloria in the Swiss Alps. Bond meets twelve young women, the "Angels of Death", who are patients at the institute's clinic, apparently cured of their allergies.

At night Bond goes to the room of one patient, Lettera A Coco - Milva - Canzone, to seduce her.

At midnight Bond sees that the 12 ladies go into a sleep-induced hypnotic state while Blofeld gives them audio instructions for when they return home.

In fact, the women are being brainwashed to distribute bacteriological warfare agents throughout the world. Bond tries to trick Blofeld into leaving Switzerland so that MI6 can arrest him without violating Swiss sovereignty. Blofeld refuses and Bond is eventually caught by henchwoman Irma Bunt. Blofeld reveals that he identified Bond after his attempt to lure him out of Switzerland, and tells his henchmen to take the agent away.

Bond eventually makes his escape by skiing down Piz Gloria while Blofeld and his men give chase. Arriving at the village of LauterbrunnenBond finds Tracy and they escape Bunt and her men after a car chase. A blizzard forces them to a remote barn, where Bond professes his love to Tracy and proposes marriage to her, which she accepts. The next morning, as the flight resumes, Blofeld sets off an avalanche ; Tracy is captured, while Bond is buried but manages to escape.

Back in London at M's office, Bond is informed that Blofeld intends to hold the world at ransom by threatening to destroy its agriculture using his brainwashed women, demanding amnesty for all past crimes, and that he be recognised as Shine - Sonne Adam - Transformation current Count de Bleuchamp. M tells that the ransom will be paid and forbids him to mount a rescue mission. Bond then enlists Draco and his forces to attack Blofeld's headquarters, while also rescuing Tracy from Blofeld's captivity.

The facility is destroyed, and Blofeld escapes the destruction alone in a bobsleighwith Gold (DJ Version) - John Stewart - Gold / Gold pursuing him. The chase ends when Blofeld becomes snared in a tree branch and injures his neck. When Bond pulls over to the roadside to remove flowers from the car, Blofeld wearing a neck brace and Bunt commit a drive-by shooting of the couple's car.

Bond survives, but Tracy is killed in the attack. The Angels of Death are twelve beautiful women from all over the world being brainwashed by Blofeld under the guise of allergy or phobia treatment to spread the Virus Omega.

Their mission is to help Blofeld contaminate and ultimately sterilise the world's food supply. The novel On Her Majesty's Secret Service was first published after the film series started and contains "a gentle dig at the cinematic Bond's gadgets"; Broccoli and Saltzman had originally intended to make On Her Majesty's Secret Service after Goldfinger and Richard Maibaum worked on a script at that time. Between the resignation of Sean Connery at the beginning of filming You Only Live Twice and its release, Saltzman had planned to adapt The Man with the Golden Gun in Cambodia and use Roger Moore as the next Bond, but political instability meant the location was ruled out and Moore signed up for another series of The Saint.

Peter Huntwho had worked on the five preceding films, had impressed Broccoli and Saltzman enough to earn his directorial debut as they believed his quick Salsa De Noche - Gipsy Kings - Compas had set the style for the series; [12] it was also the result of a long-standing promise from Broccoli and Saltzman for a directorial position.

It was my film, not anyone else's. With the script following the novel more closely than the other film adaptations of the eponymous source novels, there are several continuity errors due to the films taking place in a different order, such as Blofeld not recognising Bond, despite having met him face-to-face in the previous film You Only Live Twice. However, this was dropped in favour of ignoring the change in actor.

To make audiences not forget it was the same James Bond, just played by another actor, the producers inserted many references to the previous films, some as in-jokes. These include Bond breaking the fourth wall by stating "This never happened to the other fellow", the credits sequence with images from the previous installments, Bond visiting his office and finding objects from Dr. Broccoli and Hunt eventually chose Lazenby after seeing him in a Fry's Chocolate Cream advertisement.

The position was consolidated when Lazenby accidentally punched a professional wrestlerwho was acting as stunt coordinatorin the face, impressing Broccoli with his ability to display aggression. For Tracy Dracothe producers wanted an established actress opposite neophyte Lazenby. Baker's voice was also used when Lazenby was impersonating Bray, [14] as Hunt considered Lazenby's imitation not convincing enough.

Principal photography began in the Canton of BernSwitzerland, on 21 Octoberwith the On Her Majestys Secret Service - Unknown Artist - Classic Movie Themes scene shot being an aerial view of Bond climbing the stairs of Blofeld's mountain retreat to meet the girls. The producers even considered moving to another location in Switzerland, but it was taken by the production of Downhill Racer.

In April, the filmmakers went to Portugal, where principal photography wrapped in May. While the first unit shot at Piz Gloria, the second unit, led by John Glenstarted filming the ski chases. Some cameras were handheld, with the operators holding them as they were going downhill with the stuntmen, and others were aerial, with cameramen Johnny Jordan — who had previously worked in the helicopter battle of You Only Live Twice — developing a system where he was dangled by an 18 feet 5.

Blofeld getting snared with a tree was performed at the studio by Savalas himself, after the attempt to do this by the stuntman on location came out wrong.

The avalanche scenes were due to be filmed in co-operation with the Swiss army who annually used explosions to prevent snow build-up by causing avalanches, but the area chosen naturally avalanched just before filming.

Lazenby and Rigg did most of the driving due to the high number of close-ups. George Lazenby [15]. For the cinematography, Hunt aimed for a "simple, but glamorous like the s Hollywood films I grew up with", [28] as well as something realistic, "where the sets don't look like sets". Lazenby said he experienced difficulties during shooting, not receiving any coaching despite his lack of acting experience, and with director Hunt never addressing him directly, only through his assistant.

Lazenby also declared that Hunt also asked the rest of the crew to keep a distance Slow Down, Lowdown Kind Of Love - Barbara Carr - The Best Of Barbara Carr Vol.2 him, as "Peter thought the more I was alone, the better I would be as James Bond.

However, according to director Hunt, these rumours are untrue and there were no such difficulties—or else they were minor—and may have started with Rigg joking to Lazenby before filming a love scene "Hey George, I'm having garlic for lunch.

I hope you are! For instance, to shoot Tracy's death scene, Hunt brought Lazenby to the set at 8 o'clock in the morning and made him rehearse all day long, "and I broke him down until he was absolutely exhausted, and by the time we shot it at five o'clock, he was exhausted, and that's how I got the performance. The idea was discarded after Lazenby quit the role. The soundtrack for On Her Majesty's Secret Service has been called "perhaps the best score of the series.

Barry opted to use more electrical instruments and a more aggressive sound in the music — "I have to stick my oar in the musical area Alpha Academy - Walls strong to make the audience On Her Majestys Secret Service - Unknown Artist - Classic Movie Themes and forget they don't have Sean Barry felt it would be difficult to compose a theme song containing the title "On Her Majesty's Secret Service" unless it were written operatically, in the style of Gilbert and Sullivan.

Hunt allowed an instrumental title theme in the tradition On Her Majestys Secret Service - Unknown Artist - Classic Movie Themes the first two Bond films. The theme was described as "one of the best title cuts, a wordless Moog -driven monster, suitable for skiing at breakneck speed or dancing with equal abandon.

Armstrong did however make some further recordings in and Lazenby claimed the producers had tried to persuade him to shave it off to appear like Bond, but at that stage he had already decided not to make another Bond film and rejected the idea. Because Lazenby had informed the producers that On Her Majesty's Secret Service was to be his only outing as Bond and because of the lack of gadgets used by Bond in the film, few items of merchandise were produced for the film, apart from the soundtrack album and a film edition of the book.

Those that were produced included a number of Corgi Toysincluding Tracey's Mercury CougarCampbell's Volkswagen and two versions of the bobsleigh—one with the logo and one with the Piz Gloria logo. The majority of reviews were critical of either the film, Lazenby, or both, while most of the contemporary reviews in the British press referred to George Lazenby at some point as "The Big Fry", a reference to his previous acting On Her Majestys Secret Service - Unknown Artist - Classic Movie Themes Fry's Chocolate advertisements.

All the pleasing oddities and eccentricities and gadgets of the earlier films have somehow been lost, leaving a routine trail through which the new James Bond strides without noticeable signs of animation. Donald Zec in the Daily Mirror was equally damning of Lazenby's acting abilities, comparing him unfavourably to Connery: "He looks uncomfortably in the part like a size four foot in a size ten gumboot.

Weiler of The New York Times also weighed in against Lazenby, saying that "Lazenby, if not a spurious Bond, is merely a casual, pleasant, satisfactory replacement. On Her Majestys Secret Service - Unknown Artist - Classic Movie Themes of the few supporters of Lazenby amongst the critics was Alexander Walker in the London Evening Standard who said that "The truth is that George Lazenby is almost as good a James Bond as the man referred to in his film as 'the other fellow'.

Lazenby's voice is more suave The Creeping Dead - Shamall - Turn Off sexy-sinister and he could pass for the other fellow's twin on the shady side of the casino. Bond is now definitely all set for the Seventies. The feminist film critic Molly Haskell also wrote an approving review of the film in the Village Voice : "In a world, an industry, and particularly a genre which values the new and improved product above all, it is nothing short of miraculous to see a movie which dares to go backward, a technological artefact which has nobly deteriorated into a human being.

I speak of the new and obsolete James Bond, played by a man named George Lazenby, who seems more comfortable in a wet tuxedo than a dry martini, more at ease as a donnish genealogist than reading or playing Playboyand who actually dares to think that one woman who is his equal is better than a thousand part-time playmates. After ostensibly getting rid of the bad guys, they are married. They drive off to a shocking, stunning ending. Their love, being too real, is killed by the conventions it defied.

But they win the final victory by calling, unexpectedly, upon feeling. Some of the audience hissed, I was shattered. If you like your Bonds with happy endings, don't go. Modern reception to the film has been more favorable. Film critic James Berardinelli summed this up in his review of the movie: "with the exception of one production aspect, [it] is by far the best entry of the long-running James Bond series.

The film contains some of the most exhilarating action sequences ever to reach the screen, a touching love story, and a nice subplot that has agent crossing and even threatening to resign from Her Majesty's Secret Service. The American film reviewer Leonard Maltin has suggested that if it had been Connery in the leading On Her Majestys Secret Service - Unknown Artist - Classic Movie Themes instead of Lazenby, On Her Majesty's Secret Service would have epitomised Johnny Osbourne - Love Is A Hurting Thing series.

Connery's Bond, with his boundless humor and sense of fun and self-confidence, would be out of place in this picture. It actually works better with Lazenby because he is incapable of playing Bond as a bigger-than-life hero; Sunshine Of Your Love - Various - Steel Funk - Volume 2 one thing he hasn't the looks Lazenby's Bond also hasn't the assurance of Connery's Bond and that is appropriate in the crumbling, depressing world he finds himself.

He seems vulnerable and jittery at times. At the skating rink, he is actually scared. We worry about him On Her Majesty's Secret Service doesn't have Connery and it's impossible to ever fully adjust to Lazenby, but I think that it still might be the best Bond film, as many Bond cultists claim.


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