Rollin Mama Blues - Blind Willie McTell - Statesboro Blues
Label: Blues Characters - 274 2506 07 • Format: 2x, CD Compilation • Country: France • Genre: Blues • Style: East Coast Blues
He played with a fluid, syncopated fingerstyle guitar technique, common among many exponents of Piedmont blues. Unlike his contemporaries, he came to use twelve-string guitars exclusively. McTell was also an adept slide guitaristunusual among ragtime bluesmen. His vocal style, a smooth and often laid-back tenordiffered greatly from many of the harsher voices of Delta bluesmen such as Charley Patton.
McTell performed in various musical styles, including bluesragtimereligious music and hokum. McTell was born in Thomson, Georgia. He learned to play the guitar in his early Shannon Davin - Eos/Scylla. He soon became a street performer in several Georgia cities, including Atlanta and Augustaand first recorded in for Victor Records.
He never produced a major hit record Rollin Mama Blues - Blind Willie McTell - Statesboro Blues , but he had a prolific recording career with different labels and under different names in the s and Cross Road - Various - Office L.M.
Compilation 1. Inhe was recorded by the folklorist John A. He was active in the s and s, playing on the streets of Atlanta, often with his longtime associate Curley Weaver. Twice more he recorded professionally. His last recordings originated during an impromptu session recorded by an Atlanta record store owner in McTell died three years later, having suffered for years from diabetes and alcoholism. Despite his lack of commercial success, he was one of the few blues musicians of his generation who continued to actively play and record during the s and s.
He did not live to see the American folk music revivalin which many other bluesmen were "rediscovered". Most sources give the date of his birth asbut researchers Bob Eagle and Eric LeBlanc suggeston the basis of his entry in the census. He attended schools for the blind in Georgia, New York and Michigan and showed proficiency in music from an early age, first playing the harmonica and accordion, learning to read and write music in Braille and turning to the six-string guitar in his early teens.
He was related to the bluesman and gospel pioneer Thomas A. After his mother died, in the s, he left his hometown and became an itinerant musician, or " songster ". He began his recording career in for Victor Records in Atlanta. She accompanied him on stage and on several recordings before becoming a nurse in For most of their marriage, from until his death, they lived apart, she in Fort Gordonnear Augusta, and he working around Atlanta.
Like Lead Bellyanother Sally Dont You Grieve - Lonnie Donegan And His Skiffle Group* - Presenting Lonnie Donegan And His S who began his career as a street artist, McTell favored the somewhat unwieldy and unusual twelve-string guitarwhose greater volume made it suitable for outdoor playing. In John A. The Lomaxes also elicited from the singer traditional songs such as "The Boll Weevil" and "John Henry" and spirituals such as " Amazing Grace " which were not part of his usual commercial repertoire.
In the interview, John A. Lomax is heard asking if McTell knows any "complaining" songs an earlier term for protest songsto which the singer replies somewhat uncomfortably and evasively that he does not.
Lomax's interactions with the singer and entirely omitted the contributions of Ruby Terrill Lomax. McTell recorded for Atlantic Records and Regal Records inbut these recordings met with less commercial success than his previous works. He continued to perform around Atlanta, but his career was cut short by ill health, mostly due to diabetes and alcoholism. Inan Atlanta record store manager, Edward Rhodes, discovered McTell playing in the street for quarters and enticed him with a bottle of corn liquor into his store, where he captured a few final performances on a tape recorder.
Zion Baptist Church in Atlanta. McTell died of a stroke in Milledgeville, Georgiain A fan paid to have a gravestone erected on his resting place. The name given on his gravestone is Willie Samuel McTier. Bob Dylan paid tribute to McTell on at least four occasions.
In his song " Highway 61 Revisited ", the second verse begins, "Georgia Sam he had a bloody nose", a reference to one of McTell's many recording names. The Bath-based band Kill It Kid is named after the song of the same title. A blues bar Rollin Mama Blues - Blind Willie McTell - Statesboro Blues Atlanta is named after McTell and regularly features blues musicians and bands. From Wikipedia, the free encyclopedia.
Piedmont and ragtime blues Rollin Mama Blues - Blind Willie McTell - Statesboro Blues and guitarist. This article includes a list of referencesbut its sources remain unclear because it has insufficient inline citations.
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The New Georgia Encyclopedia. Retrieved East Coast Piedmont Blues. University of North Carolina. Blues: A Regional Experience. Santa Barbara, California: Praeger. Musical Legends. The Devil's Music. Da Capo Press. Retrieved May 10, Dubai: Carlton Books. Library of David St Romain - All I Really Wanted To Say. Retrieved July 29, Chicago Review Press.
Archived from the original on April 20, Retrieved November 17, Retrieved July 22, Archived from the original on February 10, Retrieved February 5, Deep Blues. Penguin Books. March 12, Retrieved February 14, Categories : births deaths 20th-century American singers African-American singers African-American songwriters American acoustic guitarists American blues guitarists American blues harmonica players American blues singer-songwriters American male guitarists Blind musicians Bluebird Records artists Columbia Records artists Country blues musicians East Coast blues musicians Singers from Georgia U.
Country bluesPiedmont bluesragtimeDelta bluesgospel. Musician, songwriter, songsteraccompanistpreacher. Vocals, guitar, harmonica, accordionkazooviolin. Curley WeaverKate McTell.
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