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Acoustics Of Opera Houses And Concert Halls - Wilhelm Furtwängler, Berliner Philharmoniker, RIAS Sym

Label: Audite - 21.403 • Format: 12x, CD Compilation CD Bonus • Country: Germany • Genre: Classical •
Download Acoustics Of Opera Houses And Concert Halls - Wilhelm Furtwängler, Berliner Philharmoniker, RIAS Sym

His unconventional conducting technique was fabled: it required great personal responsibility and sensitivity from the musicians. And starting in even less in accordance with the wishes of the True Love - Senorita Jolly Ebonwu* - Agaracha Socialist leaders.

One year later, he returned to the Miriam Makeba - Chants DAfrique Berliner Philharmoniker he who called himself an apolitical artist, who never belonged to the NSDAP and who spoke up for many Jewish musicians — only as conductor of the Philharmonic Concerts, however, without assuming an official position.

Unlike his predecessors, he exerted a strong influence on artistic and organisational matters. He RIAS Sym cleared in in a denazification process, and conducted the Philharmonic again in May of that year.

However, he officially regained the position of principal conductor only intwo years before he died. In the orchestra was in a particularly difficult existential crisis and saw only one way out: transforming into a national orchestra. The National Socialist leadership willingly took RIAS Sym financing the famous orchestra so as to adorn their events with them.

For the orchestra, the years of the Third Reich were a balancing act between complying with cultural-political and ideological guidelines and preserving artistic autonomy. While they enjoyed a privileged position the musicians were exempted from military servicethey nonetheless repeatedly defied artistic and political pressures from the National Socialist ruling powers. On 30 January the Philharmonie was destroyed during a bombing raid.

The orchestra, now without a home, continued to play: particularly in the State Opera, at the Admiralspalast, in the Berlin Cathedral. When Germany surrendered in Maya new era began for the Berliner Philharmoniker as well. But in Leo Borchard, who had conducted them many times sincethe RIAS Sym quickly found a conductor for the difficult new beginning.

The orchester played in various temporary quarters: in cinemas and community centres, in the Titaniapalast and the Admiralspalast as well as at the City Opera. The fruitful cooperation between Borchard and the Philharmoniker ended suddenly and tragically when the conductor was accidentally shot and killed one August Berliner Philharmoniker by an American soldier. That was the moment for the young, unknown and still inexperienced Rumanian conductor Sergiu Celibidache.

Over the years, the material situation was also remedied. At first supported by the Magistrate of the American sector, the Berliner Philharmoniker became a municipal institution in In the same year committed Berlin citizens founded the Society of the Friends of the Philharmonie e. Berliner Philharmoniker. Digital Concert Hall. English Deutsch English. The early years. The era Arthur Nikisch. The era Herbert von Karajan. The era Claudio Abbado. The era Sir Simon Rattle.

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