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Ленто - Dmitri Shostakovich - Symphony No. 1, Op. 10

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The Symphony No. The work has four movements the last two being played without interruption and is approximately half an hour in length.

While Shostakovich Ленто - Dmitri Shostakovich - Symphony No. 1 this piece as his graduation exercise from Maximilian Steinberg 's composition class, some of the material may have dated from considerably earlier. When the composer's aunt, Nadezhda Galli-Shohat, first heard the work at its American premiere by Leopold Stokowski and the Philadelphia Orchestrashe recognised in it many fragments she had heard young Mitya play as a child.

Some of these fragments were associated with La Fontaine 's retelling of Aesop 's fable of Nobodys Supposed To Be Here - Deborah Cox - One Wish ant and the grasshopper and Hans Christian Andersen 's The Little Mermaid. The immediate Ленто - Dmitri Shostakovich - Symphony No. 1 to the year-old composer presenting his first symphony was Alexander Glazunovhimself a child prodigy who had his First Symphony performed at an even younger age.

Glazunov may have recognised in Shostakovich an echo of his younger self. As director of the Petrograd ConservatoryGlazunov had followed Shostakovich's progress since his entrance at age This symphony was a tremendous success from its premiere, and is still considered today as one of Shostakovich's finest works. In some ways it is reminiscent of the works of Igor Stravinsky and Sergei Prokofiev. Because, like Glazunov, Shostakovich was still a teenager when he wrote his First Symphony, it is only natural that some critics [ who?

Just a comparison of both slow movements brings to light the full nature of Shostakovich's achievement. The year-old Glazunov was immensely musical and articulate. However, while Shostakovich shows a considerable amount of inner resource, Glazunov falls back on the musical procedures of the Nationalistssuch as Borodin and Rimsky-Korsakov. While Shostakovich reveals a large debt to the Russian symphonic tradition, it is the vital spiritual experience [ clarification needed ] being conveyed that stands out, not the formulative influences in his style.

Altogether, he shows an imagination and degree of compassion far beyond youthful insight. Op. 10 of the traditionalist mindset of the Conservatory, Shostakovich did not discover the music of Igor Stravinsky until his late teens.

The effect of hearing this music was instant and radical, [9] with Stravinsky's compositions continuing to hold a considerable influence over Shostakovich.

Because the plot in Stravinsky's ballet chronicled the doomed antics of an animated puppet, it would have reflected his observations on the mechanical aspects of human behaviour and appealed directly to the satirist in him.

Petrushka would not have been his only influence in this vein. The idea of human beings Kijk Joris Nou - Kinderen voor Kinderen - 30 Jaar TV Op DVD (DVD) machines or marionettes, with their free wills bound by biology and behaviorismwas a theme very much in vogue.

Even his fondness for Charlie Chaplinsome argue, might have fallen into this Ленто - Dmitri Shostakovich - Symphony No. 1. At the end of the second movement, Shostakovich unveils his biggest surprise by turning the tone of the symphony, suddenly and without warning, from pathos and satire to tragedy. The influence likewise changes from Stravinsky to Tchaikovsky and Mahler[11] with Shostakovich showing Milonga De Un Entrevero - Carlos Moscardini - Horizonte Infinito for a teenage composer he has much to say, and much of astonishing depth.

From Wikipedia, the free encyclopedia. Allegretto — Allegro non troppo The work begins with an introductory Allegretto section, which is developed from a Op. 10 between solo trumpet and bassoon. This leads into the first subject proper, a lively march-like Allegro reminiscent of the vaudeville and theatre music Shostakovich would have encountered during his time as a cinema pianist.

The second subject is ostensibly a waltzwith the flute melody finding its way around several sections of the orchestra. The development section features a return to mock-comic grotesqueries, although the sonata-form structure of this movement is entirely conventional.

Allegro — Meno mosso — Allegro — Meno mosso In the second movement we are presented with a 'false start' in the cellos and basses before a frantic scherzo begins with the clarinet.

The piano features for the first time with rapid scalic runs Ленто - Dmitri Shostakovich - Symphony No. 1 a more sombre mood develops in the Meno mosso section.

Here Shostakovich writes a triple-time passage in two, with melodies being passed through the flutes, clarinets, strings, oboes, piccolos, and the clarinets again, while the strings and triangle play in the background. The bassoon brings us back to the Allegro of the opening.

The climax occurs with a combination of the two melodies presented earlier in the movement followed by Worthy Is The Lamb - Patch The Pirate - Camp Kookawacka Woods coda which is announced by widely spaced chords from the piano and violin harmonics.

Lento — Largo — Lento attacca: The third movement begins with a dark oboe solo transferring to a cello solo, and proceeds to develop into a crescendo, featuring a quotation from Wagner 's Siegfried.

There is also a pianissimo passage for the strings Op. 10 anticipates the passacaglia from the Eighth Symphony. Allegro molto — Lento — Allegro molto — Meno mosso — Allegro molto — Molto meno mosso — Adagio There Op.

10 a drum roll attacca from the third movement into the fourth. After another sombre passage, the music suddenly enters the Allegro molto section with a very fast melody on the clarinet and strings.

This reaches a furious climax, after which calm descends and we hear another Wagner quotation. The following Allegro section culminates in a fortissimo timpani solo, a rhythmic motif which featured in Op.

10 third movement. A passage for solo cello and muted strings cleverly uses this motif along with several other elements, leading into a coda section which ends the work with rousing fanfare-like figures from the brass. Archived version here. Petersburg Dmitri Shostakovich. Piano Concerto No.

Portal:Classical music. Symphonies by Dmitri Shostakovich. List of compositions by Dmitri Shostakovich. Hidden categories: All articles with unsourced statements Articles with unsourced statements from February All articles with specifically marked weasel-worded phrases Articles with specifically marked weasel-worded phrases from February Wikipedia articles needing clarification from February Namespaces Article Talk. Views Read Edit View history.

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Karel Ancerl. BBC Symphony Orchestra. Berlin Symphony Orchestra. Royal Scottish National Orchestra. Neeme Jarvi. Royal Philharmonic Orchestra. Vladimir Ashkenazy. Chicago Symphony Orchestra. Leonard Bernstein. Deutsche Grammophon. National Symphony Orchestra.

Mstislav Rostropovich. Berlin Philharmonic Orchestra. Cincinnati Symphony Orchestra. London Philharmonic Orchestra. Orchestra Op. 10 di Milano Giuseppe Verdi.

Sir Simon Rattle. Philharmonia Orchestra. Stanislaw Skrowaczewski. Prague Symphony Orchestra. Maxim Shostakovich. Mariinsky Theatre Orchestra. Royal Liverpool Philharmonic Orchestra.

String quartets No.


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Symphony No. 1, Op. 10 Shostakovich completed his first symphony in December , and it was first performed on May 12, , in Leningrad. The score calls for three flutes and two piccolos, two oboes, two clarinets, two.