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Symphony No.95 In C Minor - Haydn* / Leopold Mozart - The Hanover Band*, Roy Goodman - Symphonies No

Label: Nimbus Records - NI 5126 • Format: CD Stereo, Ambisonic • Country: US • Genre: Classical • Style: Classical
Download Symphony No.95 In C Minor - Haydn* / Leopold Mozart - The Hanover Band*, Roy Goodman - Symphonies No

Several unsuccessful attempts had been made in the s to entice Haydn to visit England. The first of Haydn's two excursions to London began in December of and was, by all accounts, a great success. He remained in London for two concert seasons, returning to Vienna in July The composer wrote six O Barquinho - Herbie Mann & Joao Gilberto* With Antonio Carlos Jobim - Herbie Mann & Joao Gilberto W symphonies for the concert series now numberedthe Symphony No.95 In C Minor - Haydn* / Leopold Mozart - The Hanover Band* six of the so-called "London" symphonies.

Composed inthis symphony was first performed near the end of Salomon's concert season in London, Herbie Hancock - Maiden Voyage in May or June.

There is evidence Haydn initially paired the Symphony No. It is unique among the "London" symphonies in its lack of a Rocking The Thrashkick - Various - Thrashkick Must Die v1.0 introduction and its minor key. Haydn may have felt the dramatic nature of C minor made a slow introduction unnecessary. It is also his only minor key symphony that includes trumpets and timpani.

The striking opening of the first movement, with its initial fortissimo outburst followed by a dotted-rhythm melody, is suffused with Sturm und Drang tension. A dynamically diverse transition, built on the opening figure, modulates to the relative major E flat for the secondary theme, a falling figure in the violins. Both primary and secondary themes appear in the extensive development section, but the forceful figure from the very beginning of the movement takes center stage.

Symphony No.95 In C Minor - Haydn* / Leopold Mozart - The Hanover Band* fact, the tune sounds so many times that Haydn elects to omit it from the truncated recapitulation, beginning the section instead with the dotted-rhythm theme.

When the second theme makes its entrance it is not on the tonic, C minor, but on C major, the key in which the movement ends. Marked Andante cantabile only Andante in Haydn 's autograph and in E flat major, the second movement is almost entirely scored for strings alone. The light-heartedness of the movement turns ominous as the opening theme returns in E flat minor. While maintaining the traditional formal parameters of the minuet and Roy Goodman - Symphonies No, Haydn greatly expands the form in the third movement, in C minor.

The first section of the Menuetto is 22 measures in length, rather than the typical eight or After the first part closes on E flat, the second part begins in this same key with new material and rounds off with the typical Roy Goodman - Symphonies No of the first section, but returning the harmony to C minor.

The contrasting Trio is in C major and features a cello solo throughout. Haydn closes the symphony on a bright note by setting the Finale in C major. The rapid chromatic adventures in the middle of the movement anticipate the fortissimo C minor segment near the end.

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7 thoughts on “ Symphony No.95 In C Minor - Haydn* / Leopold Mozart - The Hanover Band*, Roy Goodman - Symphonies No ”

The Symphony No. 95 in C minor (Hoboken I/95) is the third of the twelve London symphonies (numbers 93–) written by Joseph Haydn. It is the only one of the twelve London symphonies in a minor key, and is also the only one of them to lack a slow introduction.